WERQ! IN PROGRESS

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“Werq!” asserts the sartorial, the expressive, the performed, and the embodied over the biologic, the state record, the birth certificate, the checkbox; it affirms the potential and creativity in being surplus and the potential of reworking and repurposing the signs, symbols, and accoutrements of Western modernity. — Treva Ellison, “The Labor of Werqing It,” in Trap Door: Trans Cultural Production and the Politics of Visibility (2017)